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Kasher's songwriting receives similar attention, particularly 2003's The Ugly Organ, which took an introspective meta view on the songwriting process itself. His voice is commonly recognized as a signature part of Cursive's sound. Pitchfork's Taylor Clark once described Kasher's singing as "perhaps the worst great voice in indie rock," noting his lack of ease in singing with a range and a deficiency in enunciation. Kasher's fourth solo album, "Middling Age", was released in April 2022. Featuring a more reserved vocal style and stripped-down instrumentation as compared to The Game of Monogamy, Adult Film's topic touch on mistrust, anxiety, and the fears of adult life. Īdult Film, Kasher's second solo album, was released on Saddle Creek Records in 2013. Bigamy continues the same themes as Monogamy with seven additional songs. Chris Parker from Alternative Press called the album "overture to middle age and the declining allure of the bars and hook-ups scene." The follow-up EP, Bigamy: More Songs from the Monogamy Sessions, was released in August 2011. Written after Kasher moved from Los Angeles to Montana, Kasher's first truly solo work was noted for its lyricism and instrumentation but also for again repeating on the themes of a broken romance that dominated early releases by the Good Life and Cursive's Domestica. His first solo album, The Game of Monogamy, was released to mixed reviews on October 5, 2010, on Saddle Creek Records. The result was the rock-oriented Everybody's Coming Down, released in September 2015. This time Kasher approached the Good Life with recording the album as a band, with all members contributing to the process of writing the songs. Kasher released two albums with Cursive and two solo albums before reconvening the Good Life in late 2013. Despite his intention to make the Good Life a band in its own right, Kasher still retained most creative control over the band for much of Album of the Year and similarly for 2007's Help Wanted Nights, described by Pitchfork's Eric Harvey as "two consecutive concept albums dealing with boozers and their second homes." Kasher recruited Ryan Fox, Roger Lewis, and Stefanie Drootin-Senseney and released Album of the Year in 2004. As with Novena, the album was noted for its focus on melodies and lyrics, with Dan Ocean of Punk News describing the sound as "a slower paced Cursive with some electronica and an abundance of hooks." Īfter using the Good Life as essentially a side project, Kasher decided to make the Good Life a full-fledged band. 2002's Black Out was also a mostly solo effort with friends assisting in the recording, and was released on Saddle Creek Records. Novena on a Nocturn touched on the same themes of Domestica, mainly ones of divorce and loss, and was noted in reviews for Kashers intense focus on his lyrics and personal storytelling. He released Novena on a Nocturn under the name the Good Life on Better Looking Records in 2000, five months after Cursive's Domestica. Kasher wanted to experiment with different types of lyrics and melodies.
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The Good Life was originally planned to be a solo project. Cursive's last release was Vitriola in 2018. Cursive has subsequently recorded and released three more studio albums, also concept albums - a style that Kasher began loosely with The Storms of Early Summer: Semantics of Song and developed full-blown with Domestica. Cursive added cellist Gretta Cohn for the next several releases and the band, and Kasher's writing, found critical success with 2003's The Ugly Organ, a "gale force" of "personal indigence." Ĭohn departed Cursive in 2005, and the band continued on without a cellist. Domestica showed this version of Cursive to have a tight-knit, hard-rock sound with the addition of Stevens as well as Kasher's newfound focus on introspective, storytelling focused lyrics. The re-formed Cursive soon recorded and released their third album, Domestica, at Presto! Studios in Omaha, using the stock room of the USA Baby store where Kasher worked as the band's practice space. With Pedersen away, Kasher recruited Ted Stevens to join the previous other band members. Kasher's marriage and time away from Omaha did not last long he returned within eighteen months of leaving Cursive and Omaha.
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Pedersen left Omaha to study law at Duke University in North Carolina shortly afterward. Kasher also spent some of this time playing guitar in Commander Venus, recording and releasing two albums.
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The bands released two albums, described as full of emotion and distortion, before disbanding in 1998 as Kasher moved to Portland, Oregon, after getting married.
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Kasher, Maginn, and Pedersen formed a new band, Cursive, in 1995, adding Clint Schnase to the band.
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